CMwww.chaptermuse.com › Guide › Revise a novel
How to revise a novel so the revision ends
Everyone was right, and it is not the useful part of the advice, because it doesn't distinguish between a draft and a lap.
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CMwww.chaptermuse.com › Guide › Revise a novel
Everyone was right, and it is not the useful part of the advice, because it doesn't distinguish between a draft and a lap.
CMwww.chaptermuse.com › Guide › Plot grid vs timeline vs mind map
Across the top, the four or five things you would name if someone asked what your novel is about: not every character, the threads.
CMwww.chaptermuse.com › Guide › Create a story bible
There is a character sheet for the sister. It tells you that her name means dawn in the old tongue, that she is a Capricorn, and that her defining childhood memory involves a kite.
CMwww.chaptermuse.com › Guide › Format a book
The publisher's rule was to take the character count, spaces included, and divide by six: six being one average word plus its space.
CMwww.chaptermuse.com › Guide › Sagging middle
Go through the change column and find the first line whose second column says "the protagonist" and means it, where they did something the plot did not require of them, and the next three chapters are shaped by that decision…
CMwww.chaptermuse.com › Guide › Track character arcs
Contents 01An arc is what a character becomes willing to do 02A want that can't generate a scene isn't a want 03A lie that was never useful is just a flaw 04Proof is a choice the earlier self could not have made 05Change is not…
CMwww.chaptermuse.com › Guide › Local first writing software
Exposes: the company's balance sheet, an automated moderation decision, a card that expires while you're abroad, an exporter that was never anyone's priority, and the network being down when you have two hours to write.
CMwww.chaptermuse.com › Guide › Dialogue and subtext
The characters say what they mean. Nobody is confused about anything, which had felt, up to that point, like a virtue.
CMwww.chaptermuse.com › Guide › Point of view and psychic distance
Contents 01Your point of view is fine: it's your distance that keeps wandering 02Free indirect style is the character's voice wearing the narrator's clothes 03Head-hopping isn't changing heads: it's changing heads without a…
CMwww.chaptermuse.com › Guide › First pages
A character driving down the road and seeing a dead plover is also action. A character reading a newspaper on the subway is action.”